Sun, Nov 06|
FORMA/R/TS #2: transatlantic voices & wavelength
interdisciplinary art happenings - brunch, workshop, talk with the artists and evening performance
Zeit & Ort
Nov 06, 2022, 12:00 PM
Linz, Sonnensteinstrasse 11-13, 4040 Linz, Austria
Über die Veranstaltung
Sunday November 6, 2022
12:00-14:00 Brunch in the Loft -The Gaze of Others @Ira Goldbecher
17:00-18:30 Workshop Rosalia Wanka / Methods for developing the performance "DAN_CE_LLO" / Curious people welcome!
19:00 Rosalie Wanka & Ana Topalovic: DAN_CE_LLO
Admission: freely chosen contribution, tickets: just drop by!
About the posts:
The Gauze of Others
#Reading and panel discussion
It is an outlook that requires flexibility and dexterity of thought and openness of _cc781905-5cde-3194-bb3b It relies on the currency of questions to develop the mindset."
Lang, Theresa, Essential Dramaturgy: The Mindset and Skillset, Taylor & Francis Ltd, 2017
In this reading meeting, Ira Golbecher proposes a critical perspective on dramaturgical work, especially when dealing with non-verbal artistic _cc781905-5cde-3194-bb3b-136_badworks.cf
Ira Golbecherwas born 1984. During the upper level management, dramaturgy and Organisa5on of the free theater group "8"-ung: OST From 2004 sie studied theater science and Anglis5k at the universities of Leipzig and _cc781905-5cde-5cde-5cde-5c5k 3194-bb3b-136bad5cf58d_Leeds (UK). Directing and dramaturgy internships at the Blue Raincoat Theater Sligo (Ireland) and the Theater der Junge Welt (Leipzig). 2010 Master's thesis with Prof. Dr. Gerda Baumbach and Dr. Mufunanji Magalasi on the subject of Theater for Development with research stay in Malawi (Africa). Prak5ka at the Embassy of Kanada in Berlin (Culture, Public Affairs and Academic Department Rela5ons) and as cultural manager at the Goethe Ins5tut Seoul (South Korea). Subsequent editorial work as a freelance journalist for the Goethe Institute Seoul. From the 2010/2011 season dramaturgy assistants5n for opera, ballet4 and concert at the Theater Plauen-Zwickau. With the season 2013/2014 change to the Landestheater Linz as a dramaturg for dance and organizational management of the company TANZLIN.Z under the Mei Hong Lin. Since Hermann Schneider was director, Ira Goldbecher has expanded the dramaturgical supervision to include the opera division and has since worked with directors such as Carlus Padrissa, Karl _cc781905-5cde-3194 bb3b-136bad5cf58d_Absenger, Michael Schulz, Eva-Maria Melbye, Guy Montavon, Francois de Carpentries and Gregor Horres. In autumn 2017, Ira Goldbecher from Goethe-Ins5tut New Delhi / Max Mueller Bhavan with a four-month Ar5st-Residency at the Ar5st-Residency at the _0.5 Alice Boner Ins5tut in Varanasi (India) -5cde-3194-bb3b-136bad5cf58d_Project Sounds of Belonging and Otherness awarded. From the season 2019/20, Ira Goldbecher will be dramaturgically supervising Gregor Zöllig at the Staatstheater Braunschweig.
SOLO but not alone
Photo: Paola Evelina
a transdisciplinary exploration of language, expression and comprehension in analogue and digital realms
This project is for us a reflection on the relevance and nature of individual expression, on the
(im)possibility of communication and authentic exchange and on the challenges posed by the
coexistence of the analogue and digital realms.
Furthermore, we would like to experiment with the interaction of digital inputs: What changes when our
direct, analogue (acoustic, physical) forms of expression and moments of communication are
Interrupted and influenced by digital stimuli (loudspeakers, projections) and our mutual perception
changed as a result?
Rosalie Vankais trained in classical ballet (Opera Ballet School Vienna and Munich), contemporary
Dance (MA Bruckner University) and Argentine Tango.
Ana Topalovicis (multi)cellist, composer and musical concept developer. She holds masters degree in
cello concert performance and pedagogy degree from Konservatorium Wien Privatuniversität and had
Studied in the prestigious class of Prof. Maria Kliegel in Cologne.
FORMA/R/TSis a series of projects consisting of events lasting several days. Art projects from various genres will be shown, which are linked to one another by means of a thematic thread.
Concerts, exhibitions, performances for a diverse audience should make encounters possible in one place and at the same time show the diversity of the place, the artists and the guests and contribute to the cultural and social life at the location. The events are curated by Damian Cortés Alberti, artist with connections to international scenes in Argentina, Chile, Mexico, Croatia, South Korea and Austria.
The focal points and topics for 2022/23:
Trans Atlantic Voices:the format brings together the works of artists of (South) American origin who develop their activities in Austria. The goal is to observe idiosyncratic lines of South Americans as implemented in relevant and formative discourses in the contemporary art scene in Europe. Above all, artists are involved who have a strong connection to Austria by living here and who at the same time use their connections abroad to work in a network.
wavelength:Whether we perceive it with our eyes or with our ears, the wavelength as a symbol is closely linked to our perception of reality. Based on this concept, a number of artists work in the border area between the seen and the unseen, the heard and the unheard as well as the haptic relationships between these two worlds.