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Tue, Oct 26

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Linz

Canceled: Guest performance: FEAR (FUL) LESS

The performance explores fear as a concept framed in movement, dance, and elements of theater. A humorous approach to one of the darkest emotions.

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Canceled: Guest performance: FEAR (FUL) LESS
Canceled: Guest performance: FEAR (FUL) LESS

Zeit & Ort

Oct 26, 2021, 7:30 PM

Linz, Sonnensteinstrasse 11-13, 4040 Linz, Austria

Über die Veranstaltung

FEAR (FUL) LESS  JERCA ROŽNIK NOVAK & DAMIAN CORTES ALBERTI

10/26/2021 @ 7.30 pm GUEST PERFORMANCE

Tickets: regular € 21, discount € 12  pre-booking: events@redsapata.com

These artists were in residency in RedSapata in 2021: JERCA ROŽNIK NOVAK Concept, Choreography & Performance

DAMIAN CORTES ALBERTI Choreography and Mentorship

"Creating problems and solutions to non-existent problems can be a special skill. Fear is a basic survival mechanism. A mechanism that is triggered when a person is in danger. Fear is the ability to recognize and lead to danger Decision: to flee or to face danger. This feeling and reaction are innate. We are born with fear. We are born with it to protect ourselves from real danger. The real problem arises when people don't just stand up React with fear to actual danger, but also to anticipated, imaginary dangers. The poor body thinks it is fleeing the lion, but it is only fleeing from itself. Interestingly, we are able to achieve high adrenaline levels without ourselves Having to face real danger. Unpredictable times, especially those we live in today, bring various threats and fears with them ung explores the concept of fear in the form of movement, dance, and elements of theater. A humorous approach to one of the darkest emotions. The performance is self-reflective and is aimed at those who are afraid of something, are aware of it, and may even find it unnecessary to be afraid and still do it. Feeling afraid, being really afraid and creating fear. "

Translated with www.DeepL.com/Translator (free version)

"Creating  Problems and solutions to non-existent problems can be a special  ability. Fear is a basic survival mechanism. A mechanism that is  triggered when a person is in danger. Fear is the ability to recognize  danger and leads to the decision: to escape or to face danger. This  emotion and response are innate in us. We are born with fear. Born with  it to protect us from real danger. The real problem arises when people  react with fear not only to the actual danger, but also to expected,  imaginary dangers. Poor body, it thinks it's running away from the lion,  but it's just running away from itself. Interestingly, we are able to  bring ourselves to high levels of adrenaline without having to face the  real danger. Unpredictable times, especially the ones we live in now,  display different threats and fears. The performance explores fear as a  concept framed in movement, dance, and elements of theater. A humorous  approach to one of the darkest emotions. The performance is  self-reflective and addresses all those who are afraid of something, are  aware of it, and may even find it unnecessary to be afraid, and yet  they are. Feeling fear, really being afraid, and creating fear. "

Concept, Choreography & Performance: JERCA ROŽNIK NOVAK

Choreography and Mentorship: DAMIAN CORTES ALBERTI

Original Music: KAJA JANJIĆ (F-RAW BLANKA)

Used music: VERDI - MESSA DA REQUIEM

Dramaturgy: ZALA DOBOVŠEK

Costume Design: TANJA PAĐAN (KISS THE FUTURE)

Lighting Design and Technical support: JANKO OVEN

Photos: ENYA BELAK, DRAGO VIDEMŠEK

Producer: KATJA SOMRAK

Production: PLESNI TEATER LJUBLJANA

Supported by: RED SAPATA TANZFABRIK LINZ, ANTON BRUCKNER PRIVATUNIVERSITÄT LINZ

Special  Thanks to: Enya Belak, Julio Escudero, Renata Carola Gatica, Ira  Goldbeche, Dean Krivačić, Natalija Rožnik, Veronika Valdés, Mitja Vasič,  SVŠGUGL;

Premiered on 8th of September in PLESNI TEATER LJUBLJANA RE-PRISES: 9 & 10 September 2021 at 8 p.m.

JERCA ROŽNIK NOVAK Born  in Ljubljana, Slovenia, JERCA ROŽNIK NOVAK studied at the Academy of  Contemporary Dance Anton Bruckner Private University in Linz, Austria  where she graduated with a master's degree in dance pedagogy. She has  worked as a freelance dancer with choreographers such as Willi Dorner,  Rose Breuss, Gisela Elisa Heredia, Anna Gulyás, Maria Koliopouplou,  Matjaž Farič, Enya Belak, Johannes Wieland, Vita Osojnik, Editta Braun,  Johannes Randolf and Damian Cortes Alberti. She was part of the  production “L'Italiana in Algeri” for Tyrolean Festival Erl. She  collaborated with Pop-Up Collective (PUC). She created a piece “Hweōl ...  in the whirlwind of time ”together with Leon Marič, produced by Dance  Theater Ljubljana in 2016. In 2020 together with Johannes Randolf she  created and danced in "2GETHER / AL (L) ONE", "2GETHER / AL (L) ONE- VERSION  CORONIKA "and" VERONIKA "produced by Dance Theater Ljubljana. The  project is a part of BeSpectACTive! 2 European project. In the school  year 2020/2021 she is employed and is teaching contemporary dance at  Gymnasium and Art Gymnasium Ljubljana - SVŠGUGL. She has been working  with SILK Fluegge since 2014 and is currently performing the solo  performance called "7easy tricks to manipulate your peeps in 40 minutes".

DAMIÁN  CORTÉS ALBERTI is a multidisciplinary artist, born in Argentina. Hey  studied dance at the Universidad Nacional del Arte (UNA) at the dance  school Arte XXI and at the Teatro Colón in Buenos Aires. So hey  studied Theater at the Universidad Nacional de Cordoba (UNC), and  violin in the Suzuki Method Cordoba. In 2005-2007 he joined the  Contemporary Ballet of the San Martín Theater, Buenos Aires, where he  worked with renowned choreographers such as Mauricio Wainrot, Marc  Ribaud and Richard Wherlock among others. After moving to Europe in 2008  he developed an intense career as a dancer in the companies Art Transit  Dansa, Barcelona under the direction of Maria Rovira, the ensemble of  the Staatstheater Darmstadt, Germany and later the Landestheater Linz,  Austria, both under the direction of Mei Hong Lin. Actively involved  since 2016 as a freelance dancer, choreographer and teacher in different  productions in Austria, Croatia, Germany, Belgium, Macedonia, Slovakia  and South Korea, he continues his research in the field of art by doing a  Doctorate in Arts at the Anton Bruckner University in Linz, under de  supervision of Prof. Rose Breuss, Prof. Claudia Jeschke, and Prof. Karin  Harrasser. From this same institution he graduated in 2019 acquiring  the academic degree of Master of Arts, Dance Education.

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